Beethoven Egmont Overture Program Notes
Beethoven Egmont Overture Program Notes

Program Notes. Beth Fleming Read More About: Beethoven. Egmont Overture - 1809-1810; Beethoven was fascinated with the concept of individual freedom. PROGRAM NOTES by ERIC BROMBERGER Egmont Overture, Opus 84 LUDWIG VAN BEETHOVEN Born December 16, 1770, Bonn Died March 26, 1827, Vienna In 1809 Beethoven was invited. Overture to Egmont, Op. Ludwig van Beethoven Born December 16, 1770 in Bonn, Germany Died March 26, 1827 in Vienna, Austria.

Beethoven Egmont Overture Program Notes

Overture to Egmont, Op. 84 Ludwig van Beethoven Born December 16, 1770 in Bonn, Germany Died March 26, 1827 in Vienna, Austria By Marianne Williams Tobias The Marianne Williams Tobias Program Note Annotator Chair A famous painting by Carl Rohling painted in 1887 was titled “The Incident at Teplitz”, capturing the famous meeting between Goethe and Beethoven on July 21, 1812 in that city. Beethoven, wearing his hat, is in the foreground moving away from Goethe, who is bowing to royalty with hat removed.

Twenty-one years separated the two men, and but far more than two decades separated their political positions. “Goethe delights in the court atmosphere far more than is becoming to a poet,” Beethoven stated to his publishers, Breitkopf and Hartel. At the time, Beethoven explained, “I waited for you [Goethe]because I respect you and admire your work, but you have shown too much esteem to those people” For Goethe, Privy Counsellor at the Weimar Court, it was absolutely correct to show deference and respect. The meeting at Teplitz was the first time the two men had met in person, primarily to go over music Beethoven had composed for a re-staging of his play “Egmont in Weimar.” In 1822, reminiscing with the critic Friedrich Rochlitz, Beethoven remembered, “How patient the great man was with mehow happy he made me then! I would have gone to death, yes ten times to death for Goethe. Goethe he lives and wants us all to live with him.

It is for that reason that he can be composed.” The admiration was not mutual. Goethe, in a letter to the critic Carl Zelter, noted that Beethoven “had an absolutely uncontrolled personality, he is not altogether wrong in holding the world detestable, but surely he does not make it more enjoyable for himself or others by his attitude.” He grudgingly admitted, however, that, “Beethoven has done wonders matching music to the text.” In the past, Goethe had often found Beethoven’s music to be “overblown and incomprehensible.” How then, did Beethoven receive a commission for this project?

In fact, the commission came from Joseph Hartl, manager of the Court Theaters in Vienna, who wanted to bring plays by Goethe and Schiller to the theatre. Beethoven was enthusiastic; the topic aligned perfectly with the composer’s morality, sensibilities and political views. On April 12, 1811, Beethoven wrote to the poet, “I am in a position to approach you only with the deepest reverenceYou will shortly receive from Breitkopf and Hartel [for which he received 1,400 gulden] the music to Egmont I should like to know your opinion” (information derived from Chicago Symphony Orchestra program notes, 1921–22). Hence, the face to face meeting in Teplitz came naturally in the course of musical decisions. Goethe’s play with Beethoven’s nine incidental pieces and Overture was fully staged in 1814 but critical response was bleak. Only the Overture took off in the musical world after its premiere, and the incidental pieces were performed at the Hofburg Theatre on May 24, 1810. Beethoven had written the music in 1809.

The play, originally penned by Goethe in 1787, eventually sank into obscurity. For Beethoven, this composition was a chance to provide a musical counterfoil to the contemporary Napoleonic juggernaut.

Manual De Psicologia Diferencial Andres Pueyo Pdf. Count Egmont deserved to be remembered for his fighting for human freedom (against Spanish Oppression), and it was time to highlight the relevancy of his martyrdom. His Overture chronicles the sixteenth century story of Lamoral, Count Egmont of the Netherlands who defied a Spanish attack captained by the Duke of Alva. The Overture opens with a long-held, heavy, F minor chord (Egmont in prison) followed by a slow Sarabande in a 3/2 meter. Hanewin Dhcp Server 3.0. The weight of Spanish occupation is clear.