Synopsis It is thirty years after the failure of the Space Colonization Program. Humanity is nearly extinct. A perpetual and deadly Rain falls on the Earth.

Men known as 'Junkers' plunder goods and artifacts from the ruins of civilization. One such Junker sneaks alone into the most dangerous of all ruins—a 'Sarcophagus City.' In the center of this dead city, he discovers a pre-War planetarium. And as he enters he is greeted by Hoshino Yumemi, a companion robot. Without a single shred of doubt, she assumes he is the first customer she's had in 30 years. She attempts to show him the stars at once, but the planetarium projector is broken. Sarbakan Flash Games Download. Unable to make heads or tails of her conversation, he ends up agreeing to try and repair the projector.

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(Source: Steam). Overall 6 Story 6 Animation 8 Sound 8 Character 7 Enjoyment 5 After nearly a decade of reading and watching Key's works, and now having finished Planetarian's unlikely adaptation, I think I have come to accept that Key does not appeal much to me anymore. I have aged and moved on since those times, as has the anime industry and its community, and no longer feel all too impressed by what their stories had to offer. At the same time, I recognise that not everybody began watching anime at the same time. Some people have only just gotten into the medium in recent months, and so they may not yet be acquainted with Key's works. For these people, there is still value to be found in Planetarian, for it is actually a surprisingly well-produced, if brief and heavy-handed tale. I cannot feel much of anything towards it, but maybe someone, somewhere, will feel that same fire and emotion I did all those years ago.

Planetarian's soundtrack, much like the rest of Key's catalog, is excellent, and the art direction, particularly during the projection scene, does a solid job of creating atmosphere and making time and space truly feel vast, with humanity's greatest achievements flashing before the Junker in the blink of an eye. Hoshino is also, fortunately, not treated as eye-candy or some sort of waifu fantasy, as her mechanical (and somewhat creepy!) eyes make it clear that she is a robot and not a living and breathing human being. She is cute, but she is also a genuine character with purpose in the story. While there are issues to be had with the content of Planetarian, the execution of said content (in the context of an adaptation) is certainly worthy of praise and difficult to fault. It's a very solid production all-around. All one needs to do to understand the difference in quality between a poorly-directed anime and a well-directed one is to compare Planetarian to Rewrite, the other ongoing (and perhaps somewhat abysmal) Key adaptation.

Planetarian is leagues better, and is about as good as any fan of the source material could have hoped for, really. But I do not know if that is enough to sway most anime-only viewers. The story is a nice, heart-warming little thing, but there is not much there with regards to depth and meaning. You will watch it, perhaps get a little misty-eyed during its dramatic conclusion, and that is where it ends.

You will move on, get on with your day, and find the next thing to watch. A good anime or visual novel-- indeed, even a good story in general-- should have something to say or give to its readers. I am just not confident that this short little tragedy qualifies as that something. Even though the conclusion is a bit more low-key and reserved than other Key works (particularly Angel Beats), it still falls much into the same issue of being too dramatic for its own good.

It so desperately wants to make the audience cry, but with scenes such as Hoshino lamenting how she cannot shed tears (and the rain so conveniently falling into her eyes as if she were actually crying), it becomes a bit difficult to take Planetarian's cloying conclusion all too seriously. I loathe the term 'forced drama' as it is not a valid criticism, but those who have used it to attack Key works in the past will absolutely find more reason to use it here. I would personally have liked to see a less artificial ending without so many unnecessary theatrics.