Lyrics to 'Dream With Me (Ehlam Ma'aya;Acoustic Version)' by Hamza Namira. Milan, / Bichhod, / Samyog Ra Parisithiti Ho, / Suruwat, / Jastai Mitho / Sambandha Ma. English translation of lyrics for Dream With Me (Ehlam Ma'aya) by Hamza Namira. ببكره جاي ولو ماجاش.

It is said that Egypt is the Pyramid and the Nile But they forget that true Egyptians When the right time comes Are able to do the impossible —Hamza Namira, “ El-Midan” (“The Square”) On February 7, 2011 Wael Ghonim spoke at length with Mona el-Shazly on her popular nightly talk show on Egypt’s Mustaqbal Television Network, al-Ashira Masa’an (“ten at night”). For the previous eleven days, the young Google executive and tech-savvy leader of the protests that had started on January 25, 2011 had been blindfolded and held in a secret prison by Egyptian security forces. His emotional and tearful answers to el-Shazly’s questions provided much-needed energy to the demonstrations that would topple Egyptian President Hosni Mubarak. In a poignant moment, Ghonim revealed that he had coped with the despair and hopelessness of his detention by silently singing “Ehlam Ma’aya” [“Dream With Me”] by Hamza Namira, a young Egyptian singer. Namira had become a fixture at Tahrir Square and the unofficial “fannan at-thawra” [“Artist of the Revolution”]. Policy makers rarely pay attention to singers — even a singer as important as Namira, who is favorably compared to the father of Egyptian popular music, Sayyid Darwish (1882–1923).

There is little question that cell phones and social media allowed Ghonim and other young activists to organize Egyptians hungry for political change online. But Namira’s music also played a vital role. He not only inspired Ghonim and millions like him to believe that a better future was possible, but also inspired them to take collective action and to make that future a reality.

Namira’s path to stardom preceded the events of the Arab Spring by many years. Hp Compaq Presario Cq61 Software. He was born in Saudi Arabia in 1980, where his father, an Egyptian Muslim, worked as a doctor and an amateur musician. Although Namira received private music lessons as a boy, he was not seriously interested in music until he was in his teens. At the time, living in Egypt, he learned how to play the guitar, the keyboard, and the oud (a pear-shaped traditional Arab instrument similar to the guitar). He also developed interests in several musical styles: Middle Eastern, Egyptian traditional and folk music, light rock, jazz, and Latin music.

Electronics Workbench 5.0c on this page. From 1999 until 2004, Namira played in a band headed by the Alexandrian artist Nabil Bakly and went on to form his own group. Additionally, Namira studied accounting at the University of Alexandria. He hoped that the degree would allow him to earn a large enough independent income to pursue his musical career without fear that he would have to one day choose between earning a living and compromising his values.

Through a series of mutual friends, Namira met with executives of the British-based record label Awakening Records in 2004. The record label had already launched Sami Yousef’s career and was looking for singers who could similarly address the growing demand in the Muslim World and beyond for music that is inspired by faith and driven by values. Awakening also devotes enormous resources to developing its new artists and to producing high-quality music videos; Its March 15, 2012 video for Maher Zain — “Number One for Me” — is nearly six minutes long and is accessible in 17 languages, including Chinese, Bangladeshi, Russian, and Urdu.

In 2007, Awakening Records signed Namira and a year later it released his debut album, Dream with Me. The album soon reached the top ten of Virgin Megastore’s List in Egypt and was popular among Egyptian college students and young professionals. These groups embraced Namira’s criticisms of society and government as well as the caustic humor in his songs, all of which are sung in Egyptian colloquial Arabic. Equally compelling was the singer’s sincerity and his personal commitment to his art and to upholding its values.

Two of the album’s songs would play a key role in the Arab Spring. The first, “Dream with Me,” is an uplifting song that promises that a better future is possible and that all people can fulfill their dreams if they work together. Throughout the song, Namira plays a guitar and repeats: Dream with me Tomorrow’s coming And if it doesn’t come We will bring it ourselves.